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Venue: Cambridge (UK)
Period: Sep. 20-21, 2012
Creative practice in Soviet Russia was marked by unprecedented emphasis on collaborative endeavour, reaching across disciplinary boundaries.
Architects, poets, painters and designers were united in formal and informal collaborative networks, leading to innovative design collectives, and to a unique erosion of any lasting divisions between architectural, graphic, textile, theatre, and urban design.
This conference - a collaboration between Cambridge University Library and the departments of History of Art and Slavonic Studies - will investigate the roots and legacies of these collaborative networks in order to shed light on the circulations, interconnections, and dialogue between different designers and modes of design. This is a vital part of the history of the Soviet avant-garde, and of its legacy; it has the potential to offer new perspectives on the history of 20th-century design.
The conference complements a major exhibition at Cambridge University Library of items from the Catherine Cooke Collection, a world-class assemblage of books, periodicals, posters, plans, photographs, and ephemera relating to Russian and Soviet art, architecture, urban planning, and design.
With presentations on individual items in the Cooke collection, as well as papers from an international and interdisciplinary line-up of speakers, it will explore the actual conditions that created and supported collaboration by looking back to the Silver Age and forward to the late Soviet and post-Soviet period, as well as re-examining the Soviet avant-garde.
Keynote speaker:
Conveners:
For more information on how to participate please follow this link.
Helga Brandt
Conference Programme Manager, CRASSH
e-mail: hb380@cam.ac.uk